The creative brief

The Creative Brief is at the heart of any design or creative project. It tells the person developing the ad (or logo, or brochure, etc.) exactly what the ad is supposed to do, who it’s supposed to reach, and how it will be judged. It is the “spec sheet” for the job, much as a blueprint and spec sheet are for telling a builder what goes into a new house.

Perhaps the most frustrating thing for a professional creative team is to get fuzzy directions up-front. When you don’t have a complete grasp of the situation, don’t fully understand the objectives, and don’t know the rules of the game, it’s hard to create advertising that will be outstanding. And mediocre advertising is a waste of time and money.

That’s why I won’t begin to think creatively about a design or advertising project until I have a really tight Creative Brief. If necessary, I’ll involve a marketing strategy specialist to ask the questions and interface with the client to develop the Creative Brief. There’s a certain knack to distilling all the information down to just what a creative person needs to deliver on an assignment. And often the very process of putting the Creative Brief together forces a deeper understanding of business objectives, positioning, and marketing strategy that are as important to a client as the advertising we eventually develop.

The real value of the Creative Brief, however, becomes evident when we present the creative product and recommendation to the client. A smart client will compare the recommendation to the “spec sheet” to see how well it delivers the stated objectives and how closely the criteria are met. It’s not a subjective assessment of how well you “like” something. It’s a question of how well the advertising delivers the objectives that were established up-front.

A Creative Brief makes the development and approval process much smoother and more objective. And it places the responsibility for setting the strategy where it belongs – with the client. We’ll be glad to offer our thoughts on strategy, but ultimately that onus belongs to the client. It’s his/her business, and the client must be comfortable with the approach.

 

Copyright © 2007. John Caggiano, Caggiano Associates